Showing posts with label mp3s. Show all posts
Showing posts with label mp3s. Show all posts

Thursday, December 31, 2009

Albums of the Year - 2009

It's the end of the year, so let's do a frigging list!

Sometime, if I get around to it next week, I may put together a list of my favorite albums of the decade. But for now, here's my fave albums of two-diggity-diggity-nine. In no particular order. (That's not really true.)

It's an idiosyncratic list. It's only the albums I actually heard. So while some people thought Grizzly Bear or Animal Collective or Pearl Jam or the Dirty Projectors produced the best album of the year, I never got to hear them all the way through. So I can't judge. (To be fair, the Dirty Projectors and Animal Collective were two bands that I chose not to check out. They weirded me out a little bit.)

Now that I said that, I'm going to break my own rule with the first selection. That being:


I started the year not knowing who this woman was, and ended up the year fascinated by her. I haven't heard half of this album. Doesn't matter. Lady Gaga is one of the strangest and most interesting people in music today.



Wilco - Wilco (the Album)

Predictable, sure. (After all, they did borrow my name for their previous album.) But I really loved this album. They continue to produce sweet, introspective songs like "One Wing" and "You and I", and added some new classics like "You Never Know" and "I'll Fight." A great album, all the way through.


St. Vincent - Actor

This was such a delightful surprise for me. The combination of those lovely orchestral flourishes and snarling, scuzzy guitar really won me over. Saw her on Austin City Limits, and it did absolutely nothing to remove my crush on Annie Clark.





Taken by Trees -
East of Eden

Another surprise. Waif-like singer goes to Pakistan and ... what? Devours Pakistani music in a Graceland-like colonization? Tosses her vocals onto someone else's music like Jay-Z did with that Panjabi MC song? (Which I love, for the record.) No, instead this is a glorious merging of beautiful songs and sublime instrumentation. A gorgeous merging of styles.

Kitty, Daisy & Lewis - Kitty, Daisy & Lewis

Thanks to TBTL for turning me on to this album. It's pure, old-timey fun music, full of old novelty songs and slide guitars and harmonica and hand clap percussion. Love this one.



thenewno2 - You Are Here

This was a real surprise for me. I listened to it because Dhani Harrison was on Sound Opinions. I was intrigued by the sound of the music, picked up the album, and loved it. It's right in that sweet spot between rock and electronica. Memorable songs, interesting and unexpected hooks. A band to watch.


Lunch Money - Dizzy!

That's right, I put a kid's album on the list. Lunch Money is completely awesome. They write effortlessly hooky songs that your kid can sing and will cause him/her to jump around the house like a maniac. Any band that sings out loud about how much they love their library gets my vote.

Seriously, go listen to these guys. Go listen to "Tiny Dinosaurs" or "I Love My Library" or "It Only Takes One Night to Make a Balloon Your Friend" and see if you're not grinning. I love Lunch Money.

Yeah Yeah Yeahs - It's Blitz!

Neko Case - Middle Cyclone

Metric - Fantasies
"Help I'm Alive" and "Sick Muse" were probably some of my most-played songs this year.

Passion Pit - Manners

Dark Was the Night - Various Artists



Biggest disappointment of the year: Green Day - 21st Century Breakdown

I loved American Idiot, and I wanted so badly to love this album. But I've listened to it a couple of times and just gotten bored by it. They took all the wrong lessons from American Idiot. It sounds like show tunes and Hot Topic faux punkrawk and has the whiff of desperation. Omigod, we have a niche! Quick, let's plug something else into the niche before someone else does it! Sorry guys, I ain't buying it.

Thursday, July 24, 2008

Elegy for the Bryant Park Project


It's over. It's really over.

Tomorrow - Friday, June 25th - is the last broadcast of the Bryant Park Project.

My friends at Radio Sweethearts decided to put together a mixtape for the BPP crew. It was such a good idea that I stole borrowed it.

So here's my own BPP playlist. It covers all the emotional bases - sadness, anger, depression, shock, and plain' old anger. I tried to post songs or mp3s where I could, videos where I had to. Enjoy.

"The Long Road" - Pearl Jam
And the wind keeps rollin'
And the sky keeps turning grey
And the sun is set
The sun will rise another day
"Song for the Dumped" - Ben Folds Five

Yeah, this is just a FU song. Some bad words in here, but the anger is right on target.

"Top of the World" - Patty Griffin
There's a whole lotta singing that's never gonna be heard...
"My City of Ruins" - Bruce Springsteen

(It's a video link, but it's really worth watching the performance from the Tribute to Heroes.)

"Last Goodbye" - Jeff Buckley

"If Not Now" - Tracy Chapman

This is my first slap-in-the-head song for NPR. Their wooden-headed CEO has said they want radio for the next generation. They had a radio program for the next generation, and they say it wasn't good enough for them. If not now, then when?

"I Just Don't Know What to Do with Myself" - Dusty Springfield

"You Were Meant for Me" - Jewel

"Love is Stronger than Death" - the The

"Lifeline" - Harry Nilsson

"Nothing Compares 2 U" - Sinead O'Connor

"You Oughta Know" - Alanis Morrissette

Another slap in the head for NPR, because you know those boneheads are going to try and cook up another morning-show-for-hipsters that completely misses the point of why the BPP was so great. They're going to have their rebound relationship with another show, and it's gonna suck, and they're going to be left sitting on the curb, head in hands, wondering what went wrong.

"Since U Been Gone" - Kelly Clarkson

"You had your chance, you blew it!"

I believe the end of the BPP is going to be the launch of a few brilliant careers. There were remarkably talented people associated with this show who did some unforgettable work. Matt Martinez, Dan Pashman, Tricia McKinney, Laura Conaway, Ian Chillag, Win Rosenfeld, Caitlin Kenney, and the unstoppable Alison Stewart (not to mention everyone that I'm forgetting) - geniuses. We have not heard the last from this talented crew.

So this last song is a triumphant kiss-off. NPR didn't know what they had, and they have no idea what they're losing. The BPP crew is going to bounce back stronger and better. They're all going to make it. We're all going to make it.

Peace and love to the entire BPP posse. And if you're mourning the loss, too, go to the BPP Diner. You never know who you'll find there.

Thursday, July 17, 2008

Hem - Things Are Not Perfect in Our Yard


A simply beautiful song, unreleased, only available on their website. (Graphic by Dan Messé, one of the geniuses behind Hem.)

Things Are Not Perfect in Our Yard

Note: the link will download a .zip file that contains the song in mp3 form. If you want the other three new songs from their website, go here.

With any luck, and if their pattern holds, these songs will eventually find a proper home on a future Hem album.

Sunday, July 06, 2008

An Eight-year-old Reviews Cloud Cult


The guy who runs the Sneeze asked his "almost eight year old" to review an album. His thoughts:
This album is the best one I've ever heard in my life. It makes my insides stand up and salute the appreciation of rock music made by you.
Also, for good measure:

If you're in a Radio Shack and you see guys dressed up for a tea party with clouds, buy that one. Because that one's "Feel Good Ghosts." It's the best. It makes me want to get up out of my seat and start par-taying. That means partying.
Come on now. You'd buy any album in the world if someone described it like that. In this case, he was describing Cloud Cult's new album, Feel Good Ghosts. I haven't heard it yet - I'm sampling a few songs from their MySpace page right now and I'll probably own it before the day is out.

Wednesday, May 28, 2008

June - The Best Month for Music

Three of my favorite artists are releasing new albums this month. (And, as it happens, all three of them are currently on EMusic. I think I'll be able to get each album the day it's released in record stores - although there are good arguments for picking up each one as a physical CD.)


As mentioned earlier, My Brightest Diamond will be releasing A Thousand Shark's Teeth on June 17. (And there's just nothing else I can about Shara Worden without qualifying for a restraining order.) This album will be one for the ages.


The mysterious and brilliant band Shearwater is coming out with Rook on June 3. (Two new tracks, "Rooks" and "Leviathan, Bound," can be heard here.)

If you don't know these folks, you should. Start out with their magnificent album Palo Santo, which was released in 2006, and re-released (in a 2 CD expanded edition) last year by Matador Records. Here's a great live performance of "Red Sea, Black Sea," featuring the wildest abuse of a tambourine ever captured on video.






My Morning Jacket is coming out with their eagerly anticipated follow up to the mindblowing Z on June 10th. It's called Evil Urges. If you caught them on SNL, you know that this one's going to be good. And if you didn't, you can check out the title track in their corner of MySpaceland. (Check out the falsetto that Jim James unfurls - sexy!!!)

Thursday, October 11, 2007

Something Like a Review - "In Rainbows"


You really don't want me to post a song-by-song review of this album, do you? I mean, seriously, people. There's scads of reviews all over the internet. My two cents won't change your mind one way or the other. But I'll share a few random observations with you.

Random Observation #1: Around 6:30, I was driving home when I was seized with the urge to hear "Bodysnatchers." Usually, the Radiohead songs that inspire me in this sudden-urge way are crunchy numbers like "Electioneering," "Just," or "The National Anthem." "Bodysnatchers" is a fun, crunchy song and will make you accidentally drive over the speed limit.

Random Observation #2: This is a headphone album. Some songs work on speakers, played at top volume, like "15 Step" and the aforementioned "Bodysnatchers." But you'll want to savor this record like fine chocolate. Put on the headphones. Sit in a comfortable chair. Enjoy it. There are moments on this album that will pass right by you if you're not paying attention, and these are the moments that you want to appreciate. The killer bass work throughout the album. The gentle pulsing beat of "Reckoner." The mesmerizing, haunting ebbs and flows of "Nude." This is an album in which to invest time and attention.

Random Observation #3: I read one review that described "All I Need" as Thom Yorke fronting Boards of Canada. I hate those "it sounds like x mixed with y" lines, but that one seemed particularly well chosen.

Random Observation #4: I never heard the early versions of "Reckoner" or "Nude" (once called "Big Boots) or "Videotape," so I'm not offended by any versions here. The artist always has the right to change songs any way they wish. Hell, I've heard at least four versions of Patty Griffin's "Top of the World" and I like all of them.

Random Observation #5: There isn't a second of dead or wasted space anywhere on this album. You can see the five guys in a room together, staring intently at each other, nodding or exchanging knowing smirks at each other. This is a band that is playing its heart out.

Random Observation #6: The guitar work on several songs is almost unfathomable to me. I once looked at the chord patterns to early Beatles songs, and couldn't believe how many chord changes George Harrison would cram into a dozen beats. Jonny Greenwood is playing out of his mind here. Especially check out the tasteful if bewildering work on "15 Step" (I find myself thinking of Wes Montgomery's clean style) and the baffling chord progressions on "Weird Fishes/Arpeggi".)

Random Observation #7: Is there a singer out there with the range of Thom Yorke? Imagine anyone else swinging from screaming banshee to churchlike whisper. Very few singers would even attempt what he does effortlessly. Again, break out your headphones and check out his vocals, especially on songs like "Weird Fishes" where he layers multiple vocal tracks behind his lead. The effect is often otherworldly.

Thom Yorke is a man in complete control of his instrument here.

The verdict: I love this album. There - I said it. I love it. I've played it maybe a half-dozen times, and I think it's right up there as one of my favorite Radiohead albums. Right up there. The boys did good.

Can't wait to hear the second CD of songs they've recorded.

Wednesday, October 10, 2007

Radiohead - In Rainbows


I haz it.

I'm going to give it a few listens before I post a review, but I like what I've heard.

From the Times of London:

Quite how it all ranks alongside other Radiohead albums – well, let’s be honest. It’s far too early to tell. In time, the excitement of waiting for a new release by one of your favourite bands to land in your inbox will separate from the role it will go on to play in your life.

For what it’s worth, In Rainbows was sent to me at 6.30am. Three hours later, this insidious index of sonic surprises is stacking up in my mind, like planes waiting to land. The trick, I guess, is to give your fans what they didn’t know they wanted. Radiohead, old hands at this, have been doing it for over a decade now. With In Rainbows, they appear to have done it again.