Sunday, August 19, 2007

What to Do on a Rainy Day


We were stuck inside on a rainy day. (Rain? In Seattle? Do tell!) So we decided to try something new with Oliver. We took a couple of big plastic bins - wide and shallow - and filled them with dry rice, beans, and other grainy stuff. Then we set them at chest-level on a table, put a whole bunch of measuring cups, spoons, funnels, and other gadgets in the bins and let Oliver loose on them.

(I will admit readily that we stole this idea. A few weeks ago, we went to the Bellevue Art Museum for their kid-friendly open house, and one of their toddler activities was a simple plastic bin filled with flax seed and an assortment of scoops and vessels. Oliver was completely absorbed in it, and we both immediately bookmarked the idea for later exploration.)

He loved it. Absolutely loved it. He poured rice and beans from one cup to the other, he filled up little clear tubes with stuff, he scooped and scooped and dug his hands into the rice. He made a complete mess on the floor, but it was all easy enough to sweep. The important point is that he was occupied for well over an hour, and would probably still be playing there if we hadn't packed it up for another day. (An added bonus of using airtight plastic bins: you can keep everything in there until next time.)


Here's the layout. We gave him funnels, measuring scoops and cups, a few random kitchen utensils, and several odd-sized cups. He played with every single thing we put in the bin.


The secret ingredient: pinto beans!
(And white rice, and barley, and some brown rice, too. Maybe even some couscous.)


Here's Oliver's very-very-serious expression as he carefully pours rice into a clear plastic tube.


You'd think he was conducting sub-atomic particle research,
from the look on his face.

Dad lends a hand.

And the verdict is ... great idea, mommy and daddy!

Sunday, August 12, 2007

Five Years


We were married on the deck of a boat. We had found a judge who would marry us, and it was something like $200 for him to come to a location of our choosing, or $150 to do it on his houseboat in Shilshole Bay. So, of course, we went for the boat. Who wouldn't?

The sky was bluer than blue. The sun shone ferociously. It was a perfect Seattle summer day, eighty degrees and radiant, and we were gettin' hitched, floating on a boat in Puget Sound. That was five years ago, August 12th.

It was my brother, a friend, me and Mrs. B, and the judge. A five-person wedding party. I barely remember the words of the vows - he read the line, we repeated the line, and I kept staring at her in her beautiful dress, luminous in the sunlight. My feet barely touched the ground.

We had drinks at Ray's Boathouse, dropped off our wedding party of two, and headed down to a sumptuous dinner at Stanley & Seafort's in Tacoma. We spent our first night at a lush bed and breakfast - a mansion, literally. I remember feeling like we had gotten away with something.

In the morning, we had a private breakfast on a deck upstairs. Then we headed to the Oregon coast for a honeymoon of more B&Bs, more fantastic dinners, and four lighthouses in five days.

Since that day, lots has happened. I've changed jobs three times. We've moved three times. We've had Oliver, which has changed everything in our lives. We've had heartbreaking moments and moments of pure jubilation.

Some mornings, I still wake up and look over at this woman next to me, and I am filled with awe. Once, before I met her, I entertained the thought that I would never be married, never have a child, and I would be content with that. Now, I can't imagine my life without her or our son. Every one of my days is filled with joy - even if Oliver is incorrigible, even if my work is infuriating and exhausting, even if things happen that make my blood boil. My life is a joy. I have a wife who loves me and I have a son who is filled with wonder and curiosity and a seemingly unending supply of energy.

I am a lucky man.

Wednesday, August 08, 2007

Podcast of the Year


If you only listen to one podcast this year, listen to the latest episode of Coverville.

The show features covers of all manner of music. Sometimes they do a whole show dedicated to covers of one artist, sometimes it's genres. You get the picture. This episode is all kids' music and covers of kid's songs, and it features a couple of requests from yours truly. (Not to toot my own horn or anything, but how often do I get a shoutout on one of the most popular podcasts in the universe?) If you like music, or kid's music, or covers of Schoolhouse Rock tunes, you'll love it.

Monday, July 30, 2007

Laugh of teh Day

I love websites with a sense of humor. I was looking for something on my new favorite website/search engine/jukebox, The Hype Machine, and the search didn't work. I got this error message.

Shit!


Our megacluster of database servers couldn't get you the page you rightfully deserved.

Thursday, July 19, 2007

Which LOLcat Are I?

I are a lion cat, apparently.


Your Score: Lion Warning Cat


78% Affectionate, 69% Excitable, 40% Hungry




You are the good Samaritan of the lolcat world. Protecting others from danger by shouting observations and guidance in cases of imminent threat, you believe in the well-being of everyone.



To see all possible results, checka dis.




Link: The Which Lolcat Are You? Test written by GumOtaku on Some Silly Website, home of the Some Silly Internet Quiz or Whatever kthx bye.

Sunday, July 15, 2007

The Accidental Tourist - Part Five (Conclusion)


"Namaste."

"Shoot," said Kirk. "Am I supposed to say namaste at the end or at the beginning? I wasn't sure."

"I don't think it matters," said Lulu, tapping a key on the keyboard next to her. On a flat screen monitor, the image of Kirk went suddenly blank. "If it was really important, they would have said one way or the another."

Kirk and Lulu were in the basement of his mother's house. It looked like a typical basement rec room, with wood paneling, a tv in the corner, a few folded tv trays against the couch. Only two things suggested that something besides late-night poker games transpired in this room. The first was the Apple G4 Cube computer (which was recording Kirk with a white, vaguely pistol-shaped webcam). And then there was the sinister-looking device which rested on an end table. It consisted of a plastic mask attached to a basketball-sized bulb, the color of army uniforms. A small canister was attached in the middle, and it bore a black and white label with paragraphs of microscopic fine print and two words in bold block letters. The first word: "SEVOFLURANE." The second, in larger print: "DHARMA."

All right," Kirk said sullenly. "I'll say it twice just in case it's, like, a code word or something. No, not a code word. The ... whatever the thing that the hypnotists use."

"A post-hypnotic suggestion?"

"No," Kirk snapped. "It's ... uh ... it's called a ... um ..."He rapped twice on his forehead with his knuckles. "Shoot." And then it came to him. "A trigger word. In case it's a trigger word." He smoothed out the lapels on his lab coat. "Let's go again." Lulu tapped a key and Kirk's face filled the monitor screen.

"Namaste. This is the orientation film for the Stars Hollow station, code named 'the Scoop'." The camera panned back to reveal the familiar spiderweb insignia of the Dharma Initiative, with a curious logo in the center. At first glance, it could be mistaken for a stylized question mark or possibly a cartoonish hot air balloon, but after a few moments, the logo revealed itself as an artistically rendered ice cream cone.

Lulu sniggered at the logo - again - and then hushed herself. "Sorry, hon. I just think it's so cute, what you did with their insignia. I'll edit that out."

"That's why they invented Final Cut Pro."

Kirk composed himself, clearing his throat several times. "Your mission here at the Scoop is infiltration. The Scoop will be your base of operations and, from the outside, will not be perceptibly different from any other home in this small rustic town. You will become one of the denizens of Stars Hollow. Learn their customs. Drink their coffee. Attend their pointless yet strangely moving public events. Find every imaginable way to become - " he made air quotes - "'a regular.'

"If required, you should establish relationships with the locals in order to make your identity more meaningful, including intimate relationships. However, no local resident should ever be allowed to enter your personal living quarters. The communications and scientific equipment in your possession took years of painstaking research, and its cost is incalculable. You must not let it get into the hands of anyone not associated with Dharma. This must be your highest priority, beyond anything else you hope to achieve. Even if your mission should fail, the equipment you have been provided must be protected..."

Kirk stopped then, and waited. A moment passed. He whispered, "Slow fade-in, babe."

"Oh, sorry." She manipulated keys on the keyboard.

He repeated, "the equipment you have been provided must be protected - at all costs."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Hey."

Fingers snapped in front of Lorelai. After a few seconds, she managed a faint, "Hey."

Sookie stared at her. She walked all around Lorelai, a quizzical look on her face, while Lorelai blinked and breathed and otherwise remained still.

"Where are you?"

"Oh, I just..." She trailed off. Then she started again,"where is everybody?"

"It's five in the morning."

Lorelai nodded, her eyes blank.

"Why are you here?" she asked Sookie.

"Breakfast, dear. I've got prepping to do, coffee pots to set up, inspections, and plus I had a hunch you'd show up here once you emerged from ... wherever you've been." She gestured dramatically up with her eyebrows, but Lorelai didn't get the hint.

"What's going on up there?" Sookie demanded.

"Going on where, how?"

"Okay, look, I don't need all the details, but give me a hint. You and Sawyer have been in that room nonstop for two days. The staff is starting to get resentful of delivering room service to their boss. Your mystery Sawyer man - can you at least say where he's from?"

"Can't tell you that," Lorelai replied.

"Can't? Or won't?"

"You would never, ever believe me if I told you."

"Try me."

"Polar bears."

"So ... he's Santa Claus?"

"On a tropical island."

"Okay, okay," Sookie said, holding her hands up, "forget I asked. So tell me something else. Is he dangerous? is he someone to watch out for? Should we call the State Patrol? The FBI?"

Lorelai stared off into oblivion. "Okay, let's think. Dangerous? Yes. Definitely. He's got the potential for great violence. But don't call anyone - he's safe as a kitten."

"Purr purr," Sookie teased.

Again, Lorelai let an easy setup go by without responding. Something was definitely wrong with her.

"Okay, sleeping beauty, we need to do something to snap you out of this. Should I make up a pot of coffee? You look like you could use it."

Lorelai shook her head emphatically. Sookie's eyes nearly fell out of her head.

"You might have misheard me," Sookie said. "See, I said, 'Excuse me, Ms. Lorelai Gilmore, caffeine addict of legend and infamy, would you care for a cup of java?' And that's when you're supposed to say ..."

Again, Lorelai shook her head in the negative.

"But," Lorelai suddenly looked hopeful, "can you do one of those frozen things?"

"What frozen things? You want a daiquiri?"

"I'm thirsty."

"Okay, good. That narrows the choices down to liquids."

"You know. The thing with the ice and the strawberries and the weird powder that you get in those funny little juice bars in New Haven? You don't need to add any of the weird powders - I always suspected they were just like placebos or something, or else maybe mild hallucinogens - but ... you know, one of those?" She went into charade mode then: she gestured a blending motion with a whirling finger (adding blender sound effects that sounded like a car with starter trouble), then poured the imaginary blender's contents into an imaginary vessel, and then drank down the entire thing with a great flourish.

Sookie stared at her as if she'd grown a second head. "You want ... a smoothie?"

"Yeah. Sure. They're good for you, right? And it sounds ... kinda ... refreshing, I don't know."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Sawyer looked over to his window, irritated. "Aw, jumping Christ on a pogo stick..."

Shirtless and wearing blue jeans, he drew the shades on the window. A burst of gravel splashed against the window.

He peered out the window to see Hurley, another handful of gravel poised to throw, and Jin , who was sitting in the passenger's seat of the sitting in the driver's seat of the Dharma van. Jin seemed uncomfortable and kept looking around nervously.

"All right, already, Hugo!" He waved frantically at the window. "Cripes. I'll be right down."

As he reached for his shirt, he glanced at the Dragonfly Inn brochure that Kirk had given him. There was something on the back that he hadn't noticed before, drawn in the margins. It was a familiar spiderweb pattern, drawn by hand with a pencil.

"Dharma." Suddenly it all clicked. "Kirk's one of them. "

"Son of a bitch."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Okay, so there's another group of people on the island."

"Yeah."

"And they're evil."

"Yes, with a capitol E, and that rhymes with P, and that stands for evil too."

"So how do you know Sawyer isn't one of the evil ones?" Sookie asked.

"Because ... oh, come on. Evil people love telling people how evil they are. Didn't you ever watch a single James Bond movie?"

"All right, all right. So they're evil."

"Yes!" Lorelai shouted, exasperated. "They kept him in a cage! Hello?!"

"Ooh, that must have been something to see."

"I know, right?" said Lorelai, wiping smoothie from her lower lip with the back of her hand. "All hot... and sweaty... and dirty ... and half-naked, and trapped in a cage like an animal..."

"Careful, girl."

"Mmmm hmm." She leaned against the counter to steady herself.

It was at precisely that moment that Sawyer called out from the reception desk. "Hey, Becky, you back there?"

"Who's Becky?" asked Sookie.

"Come on back," Lorelai called. Sawyer stepped tentatively into the kitchen.

She attempted to make introductions. "So ... this is my friend Sookie St. James. Sookie, Sawyer." Sawyer nodded to Sookie. Then Lorelai paused. "Well, James, I guess. Or do you want to stick with..."

"Sawyer's fine for now. Hey, ladies, I hate to spoil your fun, but I got work to do. We got an appointment with your pal Kirk."

"Oh, right now? What's the rush?"

Sawyer waved the brochure like a smoking gun. "He's Dharma."

"Dharma," Lorelai echoed, feeling a sudden chill.

Sookie looked a bit lost. "Who's Dharma?"

But Lorelai was already on the way out the door. "We'll tell you later. Gotta go." She pushed her glass into Sookie's hand. "Thanks for the smoothie!"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

They stood outside his window. Lorelai looked nervous. A crumbled figure rested on the couch, knees apparently curled to its chest, a tattered afghan draped over the body.

"Well, we can't just bust in on them. Look, his mother's sitting right there on the couch! We'll look like a bunch of renegade DEA agents, and she'll have a heart attack or something."

"That's his ma?"

"Yeah, I think so," Lorelai said. "Never met her, but she lives with him."

"That's his ma," Sawyer repeated, unconvinced.

"Well, don't you see her there?"

He pressed his face up against the window. "What are you doing?!" Lorelai hissed.

"I hate to tell you, Becks, but that ain't nobody's mother on the couch."

Jin whispered something harshly, and pointed to the couch also. Sawyer looked at him and shook his head slowly. "Dummy."

"Dummy," repeated Jin in his halting English. "Dummy - dumb?"

"No," Sawyer explained. "Dummy, not real woman."

"Ah," Jin said. "Dummy."

Sawyer rapped on the window. A voice called out, "oh, please come back later! I just have to rest right now..." The voice faded at the end, sounding just like a frail older woman.

"See, she's exhausted! Just leave her..."

Sawyer cautiously turned the doorknob, which had been left open. He stepped in quietly. Then, the door still open, he rapped his knuckles on the outside of the door.

"Oh, goodness! " the same frail voice called out. "And me in my dressing gown! Please just leave it at the door - my son will get it later."

The voice seemed to be coming from behind the door, not from the body on the couch.

Then Sawyer pointed, silently, and they all looked at the tiny black speaker located just above the door. Wires extended from the door and window to an electronic console on the wall, which extended to the speaker.

"I think you rubes have been letting Kirk fool you for years now." Emboldened, he went to the couch and pulled the blankets off 'mother', revealing a long pillow shaped to resemble a human form. A grey wig at the top completed the image. Lorelai gasped.

"So, now, we go see what the kids are up to in mama's house."

They heard a faint noise and followed it to the basement door. The door was left open, and they listened for a moment.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Like our other agents, Jess Mariano and Max Medina, you will be given an identity and a back story to explain your sudden arrival. Townspeople will be persuaded by various means to play along with your back story to lend authenticity, and then the rest will be up to you.

"If I may, let me offer one bit of advice. There are two paths you can take with this mission. The first is full assimilation - the 'melting pot' approach. That is difficult, because you will never, despite your best efforts, truly be a local. No matter how you try to fit in, you will always be a stranger to these people's eyes.

"The other path, which in my opinion is far easier, is the 'fifth wheel' approach. If you appear unusual from the start, a little off, a little quirky, there will be less questioning when you occasionally let your 'mask' slip, as will inevitably happen. It is far easier to play a stranger in a strange land then to suddenly arrive and become an instant part of the community. So don't try too hard to fit in. Better to stick out like a sore thumb. Plus, in my experience, it's more fun."

From the basement, they heard a series of clicks. Lorelai looked at Sawyer and pantomimed typing. Sawyer nodded.

"Hey, Lu, I'm parched. Can you grab me a Negra Modelo from upstairs?"

"Sure thing." They all scurried away from the doorway. As Lulu reached the top stair, Sawyer reached out expertly and swept her up, one hand over her mouth, the other arm clutching both of her arms against her body.

"We're not going to hurt you, but you are going to stay her until we've had a chat with your boyfriend. Comprende?"

Lulu nodded frantically, her eyes huge.

"Great. Go sit down over there, and my friend Jin is going to make sure you don't try anything foolish. And here's a tip from me - don't piss off Jin. He can kill you seven ways to Sunday before you make a sound."

She looked, horror-struck at Jin. He met her eyes and, after a moment, Jin nodded solemnly in agreement. She sat down on the couch and folded her shaking hands in her lap.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Lu?" Kirk called up the stairs. A flying can of Diet Coke nearly took his nose off. It bounced ontothe floor and popped open, leaking brown liquid onto the carpet.

"Hey, hot stuff, you're outta beer." Sawyer chuckled as he came down the stairs. "But you know what they say - when you're outta beer, tough Schlitz."

"Did you wake up my mother..."

"Oh, come on, man," Sawyer laughted. "Your mother ain't any more convincing than Norman Bates. Didja think that ruse was gonna work forever?"

Kirk stifled a grin. "Well, it worked for twelve years."

"Well, that game is over. It's all over, Gilligan. All but the shouting." He methodically rolled up his sleeves. "Way I figure it, the quicker you tell me what the hell's going on here, the less screaming you'll be doing."

Kirk, surprisingly, took a seat. He gestured them toward the big green couch. "Sure, I'll tell you. I knew you'd be coming here, sooner or later. That's why I had this primed."

He pointed to a wardrobe on the far wall of the basement. "That's it. That's the magic box."

"What magic box?"

"In time, good sir." Kirk picked up the spitting Coke can and managed to pop the top open. He took a careful sip. "In time, I'll tell you everything you want know. As much as I can, anyway." Kirk shouted upstairs. "Hey there, whoever's holding Lulu hostage! Come on down. Please bring Lulu with you. You'll both want to hear this, too."

And then, slowly, he explained everything. He told them how he had always dreamed of being a CIA agent, but the night terrors that had plagued him prevented that dream from becoming a reality. Then, one day while he was in college, a man was standing outside his dormitory and took him to breakfast. He told Kirk about his agency, promised travel and adventure,and convinced Kirk to sign a long-term contract for his services. The pay was lucrative - preposterously so. He collected paychecks for four years before he was contacted for a job.

And then, one day, the agency technicians came to his house and installed his device. "I've gotten used to calling it the Wardrobe."

"What's it do?" Sawyer asked.

"Well, let me explain it this way. Do you know anything about quantum physics?"

Sawyer shot him a look.

So, Kirk began the world's worst primer on quantum physics. He lost them within moments. Then, he tried another tack, using the example of a tunnel through the center of the earth, and that just confused them further.

"Okay. You know how when you shine a flashlight into the night sky, the light has to go somewhere?"

"Sure," Hurley said. "The light seems to disappear, but it could theoretically travel in space all the way to the end of the universe, unless it gets pulled into a black hole or, you know, hits something that interrupts or refracts the beam."

"Right. Exactly. So ... oh, wait, that's the wrong principle." He thought for a long while as they all stared daggers at him.

Finally, he gave up and said, "it's just a transporter, all right? Like in Star Trek."

"Oh, dude, why didn't you just say so? Now I get it." Hurley turned to Jin. "Transporter. Like Star Trek."

Jin was already nodding. "Beam me up, Scotty."

"Yeah, there you go. Exactly."

"So ... the wardrobe isn't the transporter, is it?" Sawyer asked.

"No, it's all nested behind the wardrobe. All the controls are behind it."

"Then why..."

"C.S. Lewis," said Lorelai.

Kirk smiled wryly. "I loved reading the Narnia books when I was a kid. I wanted my own wardrobe where I could go into another world. And then suddenly, this amazing device shows up on my doorstep. I took an old wardrobe I had in the basement, popped off the back, and fitted it onto the front. I used duct tape to seal it tight - they probably wouldn't have approved, but it's never gotten me into trouble yet. And so there you go. Only problem was, instead of witches and talking lions and fauns, I was going around the world like a glorified maintenance man. Even with my fancy transportation, I was just another flunky, punching a clock."

He was living two lives. On one hand, Dharma set him up with a new life in Stars Hollow, a beautiful house all to himself (and his fictional 'mother' - part of his cover story), money to burn, and free rein of the town. "I could do anything I wanted. Hell, I could have burned the gazebo down and they would have found a way to justify it. I was untouchable."

And the other life was the one he had dreamed of - traveling, via extraordinary means - to mystery locations all around the globe. Sometimes, he wondered whether he had even left the planet.

But the adventures started to sour. Stars Hollow became boring. The freedom of impunity turned stale, and he kept trying new and different things to amuse himself. He told his secret to one other local, Taylor Doose, who wielded his powers as Town Selectman to hook Kirk into new job after new job. He kept each job for a few days and dropped it, bored, for another ever-stranger job.

Meanwhile, the adventures he had been promised were turning into drudgery. At first, he was excited about going back and forth to the island and the other stations around the world, and the technology fascinated him. But then he realized that despite all his questions, they never told him exactly how the transporter worked. "I was a mushroom - they kept me in the dark and fed me ... well, you know."

And the exciting assignments - cryptozoology, staging psychological experiments, equipping the hatches, planning "accidents" and carefully staged acts of serendipity across the globe - turned into meaningless assignments. "I was scrubbing floors in people's houses. Once, I replaced thirty-seven light bulbs with lower-wattage bulbs in a house in Stockholm. No idea why. They never told me anything."

They all sat, enraptured, listening to the bizarre story unfold. Hurley noticed that Jin had been nodding and humming in agreement throughout the tale, and wondered what part of the story rang familiar to him.

"And then the uniforms came. The uniforms were the last straw."

One day, he received a large box from Dharma's courier service. He was convinced it was some great new piece of equipment, but instead it was a box full of beige coveralls with his name - and his new title, the first title he had ever known throughout his association with Dharma - stitched on the breast.

"Kirk. Work Man."

"I was just a goddamned janitor to them," Kirk snarled. "Pardon my French."

"And that's when I sorta snapped. Lorelai, you probably noticed something was wrong, since you were in town then. I'm sure it was pretty obvious that I was out of control."

Lorelai, who had no idea what Kirk was referring to, nodded vigorously. "Oh sure."

"For the rest of you, I'll fill you in," Kirk continued. "I started doing more and more dangerous stuff. I started messing with pyrotechnics. Electrical stuff that I hadn't been trained for. Dangerous work. I was kind of on a death trip. Remember when I drove Taylor's stupid car into Luke's diner?"

"Oh, yes."

"Suicide attempt," Kirk shrugged. "I staged it to look like an accident, and I didn't expect to live through that. I was kinda hoping for a fireball - blaze of glory and all that. I left a note in my house spilling the beans on everything. I guess you're not supposed to use your seat belt or use your emergency brake for suicide attempts - should have thought about that at the time."

"Anyway, that was sorta my low point. I don't really think I've ever really recovered. I just ... I had such hopes. I thought I was an insider, one of the special ones. I was part of the Dharma Initiative! And then it turns out I'm just a workman."

Kirk grew silent for a long while. They watched him, as storm clouds crossed over his face. A tear trickled down one cheek, and his hands clenched and unclenched.

"I always loved science," he said, so quietly that he could barely be heard.

"Well, you got to see some amazing science," Lorelai suggested.

"To see it, sure. But they didn't ... trust ... me enough to explain it to me. Look." He threw a slim pamphlet at Lorelai. "Want to know how the Wardrobe operates - there you go! That's all they told me, anyway. How to turn it on, turn it off. They set the coordinates remotely, so I can't actually run it by myself. 'Cause I'm just a work man, after all," he seethed. "Why would they tell the work man anything important?!"

Lorelai thumbed through the book. "So you're supposed to be unconscious when you go through?"

"Yeah, that's one of the big warnings. Big no-no. That's why I keep the anesthesia around," he said, gesturing to the bulb device on the end table.

"So," Hurley asked carefully, "how do you, you know, run the thing when you're, like, asleep?"

"Oh, Lulu knows how to run the controls, too. She runs it when I have a job."

Hurley nodded. "Yeah, okay, that makes sense. But why unconscious? What's that all about?"

Kirk grimaced. "I tried to find out once. I ... um ... put someone else through it once while he was conscious."

Gasps all around. "Who?" Lorelai asked.

"There was this guy, a cable installer. His name was Mick, Nick, something. He came to my house. I offered him a thousand bucks on the spot, and he agreed to do it. I never should have done it."

"What happened?" Hurley asked.

"Well, he went in, and then a few seconds later, he came ... clawing his way out. He pulled himself out like he was stuck in a well. He was only in there a few seconds, but ... his hair was white. And his skin was ... old. He aged, like, a hundred years in that few seconds. And his eyes were ... have you ever seen a rabid dog?"

"No."

"Yeah, me neither. But I always think that that's what a rabid dog's eyes look like - all feral and untrusting and ... volatile. He didn't live very long." He looked at the floor. "I buried him in the backyard."

Silence.

"I'm not proud of it."

"It's their fault! I put his death on their shoulders!" Spittle flew from his lower lip. "Their damn fault! They could have told me what they were doing ... what the dangers were. But they never tell me anything! It's infuriating! " He threw the Coke can down on the carpet, hard enough that it bounced off the carpet a foot in the air.

"They've got some of the most sophisticated science known to man, and they're giving me bupkis, nada, zilch! I'm like their janitor, when i should be ... I should ..."

"I deserve better than this. I deserve better. I deserve..."

At that moment, Kirk's eyes were empty as burned-out lightbulbs. He was angry - no, something beyond anger, something more and darker and more volatile. Sawyer recognized the look and he didn't like it, so he started talking.

"So, ah, Kirk. You were going back and forth to our island?"

"Sure, a few times. I helped set up a few things before your arrival. Cleaned out the hatch a time or two, kept it stocked."

"Yeah."

"Plunged that toilet in the hatch once. That was fun, let me tell you. I don't know what you people eat over, but pee-ew."

Sawyer smirked. "So, in your travels, didja ever see me over there?"

"No, Sawyer. I never saw anyone. I showed up on the beach when everyone was in the woods, and vice versa. I was the man who wasn't there.

"I did plant a couple of things for you, though," Kirk smiled.

"Like what?"

"Books."

"Books," Sawyer repeated.

"Heinlein."

"Ah."

"I thought you'd, you know, appreciate the subtle irony of Stranger in a Strange Land. Maybe not."

"No, no! It was ... impressive. I liked it."

"Mmm," Kirk replied noncommittally. "And, oh, yes, I did plant the trap door to get you here. I didn't understand much about the technology, like I said, but I found another portal. I set it up in the field where you guys liked to drive around your little bus, and presto - as soon as you drove over it, you were brought here."

"Just like that," Sawyer mused.

"Yup, just like that. Well, there were a couple of other things. The clothes and the Hanso card were unexpected - I don't frankly know how or why that happened. A neat trick, to be sure. Wish I knew how it worked.

"You knew that guy Ben, right?"

"Ben?!" Hurley and Sawyer both looked stunned.

"I guess you do. Well, it's his portal. I'll bet that's one pissed off hombre, right now. And it's not really something you can send search parties for, because as soonas they find it, zip! They're missing too. Pretty funny, when you think about it." Kirk grinned in spite of himself.

"And I know Dharma's going to come get me for that," he continued. "I've made my preparations. I recorded a new orientation tape for the next person who comes here - assuming they send someone here. I don't know what they'll do next, but that's not exactly a new experience for me."

"And the transporter," Sawyer asked. "You can use it to send us back?"

"Well, sure," Kirk mutterred. "And I guess, karma-wise, it's my duty. It's my last Dharma job - sending you all back home. That's what you want, right? Back to your friends, your ..."

Sawyer hurriedly interrupted him. "Right. That's right. Home. Home sweet island."

Lorelai looked worried. Kirk switched knobs that the others couldn't see behind the wardrobe. They heard humming, and the shadow of a red light began flickering. A steady beeping began.

"Now, it's going to take about a minute to get ready. I'm ... I'm going to have to put you out."

"Is that so?" Sawyer asked.

"Yeah. Sorry. Rules of the game, my friend." Luke picked up the anesthetic bulb and made some adjustments to the canister. "I guess you can go first, and I'll send your friends after you."

"Well, okay, then." Sawyer dutifully sat in a chair and Kirk lowered the mask toward Sawyer's face. "It's been good to finally meet you," he whispered to Sawyer.

Sawyer mumbled something.

"Sorry, didn't catch that. I suppose it doesn't ..."

The mask lowered on Sawyer's face for a fraction of a second before his hand shot out, caught Kirk's wrist. "Sorry, bub. Not feeling sleepy." He cold-cocked Kirk with a vicious uppercut below the chin. Lorelai and Lulu gasped. Jin quickly took hold of Lulu's hands, and then realized she wasn't fighting to get free.

Lorelai walked to Kirk's prone body. Lightly, she kicked at him with her toe.

"Nice shot, slugger," Lorelai said.

Sawyer flexed his knuckles. "You know what they say, Becky. Practice makes perfect."

"I don't want to know who you've been practicing on."

"It ain't my favorite thing to practice, I'll tell you."

"Well, I'd ask what your favorite thing was, but I think I know."

"Oh, I think you do, too..." Sawyer purred.

"Hey, hey!" Hurley shouted. "Bystanders over here! Innocent bystanders!"

"Yeah, alright," Sawyer growled. "We've got work to do. Fun later, work now."

He nodded at Hurley and Jin. "Come on, guys, give me a hand here. Let's give Gilligan here a pleasant bon voyage."

He looked at Lulu. "Are you going to fight us on this?" he asked.

"Hell, no," Lulu snarled. "He didn't tell me half that stuff. He's been holding out on me all these years. You guys do whatever you have to do. I won't stand in your way." Jin released her then.

"All right, then." Jin and Sawyer dutifully grabbed Kirk's arms while Sawyer carried him by the legs, his hands under Kirk's knees. Lulu helped by grabbing his feet.

"One, two..."

"Three!" They heaved, and Kirk flew, feet first, through the wardrobe, through the portal, and out of Stars Hollow.

They listened, and far off, a million miles away, they heard the sound of his body hitting the ground. Somewhere, he had landed.

"So what do you think? He back on the island?"

"Yeah, he's on the island," Lulu nodded. "There's a big padded thing out in the forest that he lands on, kinda like the padding that pole vaulters and high jumpers land on. That's what the sound was." She started reaching for controls. "I guess we can shut this thing, since none of you really want to go back. You don't want to go back there, do you?"

"Wait!" Jin shouted.

He took the anesthetic bulb and handed it to Lulu. "I ... have to go."

Hurley sighed deeply and shrugged to Jin. "I'm not going back, Jin. I ... I want to be back here in the world. I understand why you have to go back." Sawyer whispered in Lorelai's ear about Sun and the baby, and Lorelai nodded somberly.

"Yeah, sorry, buddy, but you're on your own here," Sawyer said. "I've got ... more on the ourside than back there. But I know why you have to go. Godspeed."

Jin said his goodbyes. Lulu lowered the mask to his face and within seconds, he was unconscious. They took more care lowering him into the Wardrobe, and winced when they heard the whump! as he landed.

"It's okay," Lulu assured them. "Lots of padding. He'll be absolutely fine."

She looked for a long time into the emptiness of the Wardrobe, and repeated the words softly. "He'll be fine."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

They met again, a week later, in a coffeehouse in Woodbury. Hurley and Lulu came alone, but seemed grateful to see each other and embraced warmly. Lorelai and Sawyer were already seated when they arrived, sharing a plate of onion rings.

"Ooh. That one - the double one," Lorelai called, pointing to an enormous onion ring. "That's mine," Lorelai called.

"You want it so bad. Come and get it," teased Sawyer, swatting her hand playfully as she reached for it. Finally, he picked it up and fed it to her.

"Hey, Lulu, you look great!" Lorelai said, looking up. It was true. She was wearing the simplest of outfits - faded jeans, sneakers, and a snug plaid sweater - but she looked completely comfortable. She seemed at peace with herself.

"So you're not going to Luke's anymore?" she asked gently. Lorelai flashed her a look and the question went unanswered.

"Anyone hear anything from ... you know?" Lulu asked curiously.

"Nope," Sawyer drawled.

"Hmm."

"Yeah, it's a doggone shame," Sawyer said, chewing on an onion ring. "I guess the head honchos at Dharma weren't too fond of him using their fancy transporter without permission, so they didn't see fit to let him back off the island. Jack's probably put him to work fetchin' firewood or some such thing."

"Or else he's working for the Others," Hurley offered.

"Or else he's polar bear meat," Lorelai suggested.

"Now there's a cheerful thought," Lulu said quietly. She looked around furtively for a waiter.

"So what are you gonna do now?" Hurley asked Sawyer. "Just gonna settle down in Stars Hollow, or what?"

"Well, if Becky Thatcher here lets me, I'd like to stick around," he said, winking at Lorelai. It's a cute little town. It's got its charms to it," Sawyer smiled, squeezing her thigh under the table.

"And I hear they're looking for a town selectman. I reckon they could put up with a blowhard like Taylor as long as they did, a reformed con man might just stand a chance."

"Reformed," Lorelai repeated, and looked insistently at him. "You're out of the business, right? No more cons."

"No, darling," he answered respectfully. He raised three fingers in a Boy Scout salute. "No more cons. This time, I've got all my cards on the table. I've even got the flyers printed up and ready to do, when the time is right." He pulled a piece of paper from his back pocket and unfolded it. In bold, patriotic print, the flyer bore a simple message.

"Vote for James Ford - Town Selectman.


It's Time to Start Over."

Thursday, July 12, 2007

An Open Letter to the Mother-in-Law

There's a thought.
Dear MIL:

Thank you for flying out here from New Hampshire to spend time with your grandson, who hasn't seen you since Christmas. And who probably won't see you again until next Christmas.

However, it would probably be nice for him if you actually stopped emailing your friends and acquaintances, watching YouTube videos, reading reviews on Amazon, catching up on the news on CNN.com or wherever the hell, and PUT DOWN YOUR LAPTOP so you could ... you know ... spend some time with your grandson.

You've noticed him, haven't you? He's the one with the dark hair who keeps looking up at you, while you surf the web or, for a change of pace, read your paperback. He's the one that seems to have so much energy and always wants to do something or play with something. It would be great if you would spare some of your precious online time to do something. With him. Not your laptop computer. After all, if you wanted to spend time with your computer online, you could have just stayed the hell at home and saved the plane fare.

It's nice that you have online friends, okay? It's great. It's lovely. But you have a real grandson who really wants a relationship with you. And right now, you're being outdone by Chloe, and she's a cat.

Let me point out something. When Oliver's doing something, it's occasionally a good idea to look at him while he's doing it before you say something about it. There are several times this weekend when you have attempted to say something to Oliver - "What are you doing, sweet boy?" or "what's wrong" or "where are you going, Oliver?" when you never actually lifted your eyes from the computer to look at him. At least once, he had already left the room before you asked, in that distant disinterested way, what he was doing. He was leaving. He was going to go somewhere where people - his mother are father - cared what he was doing. He was leaving a room that was, for all intents and purposes, empty.

I have had all I can take of this crap. I took two days off work so I could spend time with you and I'm sorry I did it. I've had all I can take of watching you ignore your only grandson. I'm sick of seeing you come back from trips with the family, and bolt immediately into the guest bedroom - and close the door! - so you could go back online. I'm sick of watching you wander away rather than spend a minute talking to Oliver at the zoo, or the aquarium, or at the park. You act like he's a puppy. He's a human being, and by the way, he is developing memories at this age.

We've tried every way possible to get you to interact with him. We pulled a big sheet of paper over the coffee table so we could all color together. You drew a house with some trees and then went back to your paperback. The point, you nit, was not to draw something and then be done. The point was spending quality time with a two-year-old. I guess that's too much to ask from you.

And the topper - the absolute last straw - was tonight, when we got ready to read bedtime stories before he went to bed. You turned on your computer the minute dinner was over. You didn't put it down while he was running around you. You didn't put it down when he handed you his doll to play with - you just adjusted her clothing and handed the doll back to him, like you were rendering a service. You didn't put it down when Mrs. B announced that it was story time. You didn't put it down until AFTER we had selected storybooks and had sat on the couch next to you. And even then, you had to hang on to check that one last email and scroll down the page one last time before you put your laptop down. Without even closing it. I almost said something snide - gee, thanks for interrupting your busy schedule, grandma - but I bit my tongue, the way I have ever since you arrived. I've been biting my tongue hard enough to draw blood, to keep from snapping at you to pay a goddamn bit of attention to the person you flew 3000 miles to see. I'm not sure I can keep biting my tongue until you leave on Saturday.

I don't know what you think you're doing. I don't know why you bothered coming all the way out here if you didn't even care about seeing Oliver. You don't have to be super grandma with him. You don' have to dazzle him with your juggling skills or your witty repartee or your astonishing artistic talents. Just. Be. With. Him. Get down with him, help him put Legos in a little tower, draw on paper with him, throw a ball around with him. Do. Something.

Because otherwise, I'm about to pack your fucking bags for you.

Tuesday, July 10, 2007

Squint with your Ears


From the NY Times' review of Spoon's new masterpiece, Ga Ga Ga Ga Ga:

“Ga Ga Ga Ga Ga,” Spoon’s sixth album, is full of songs that seem to have been carefully, lovingly teased apart, leaving behind fragments. Some assembly is required: Listen long enough, squint with your ears, and you can hear it whole.
Later in the review, he describes Britt Daniels' singing voice:

He sounds like a British guy with a Southern accent and a cold, which means he sounds like a rock star, only more so.
The review is entertaining, but the record is sheer precision-tuned audio brilliance. And hey, it's on EMusic today, the very day it's released in record stores. Cheers for Merge Records!

(And a very gentle boo for New West Records. Jason Isbell's new solo album, Sirens of the Ditch, is out today, but it's not on EMusic yet. Hopefully it will be soon, although NWR seems a bit finicky about which records it chooses to give to EMusic.)

Wednesday, July 04, 2007

Boom.



We're being shelled.

We live way south in West Seattle, a block away from White Center, which is not officially part of Seattle or any other city. it's unincorporated King County. Fireworks are illegal and banned for sale in Seattle. Not so in unincorporated parts of town. So our local Safeway (not to mentino the various roadside booths) has been selling fireworks for a week now, and every single explosive device they sold has been steadily exploding outside our window for the past ten hours.

It started before lunch. There are the scree! of bottle rockets, the booms and bangs of small munitions, and occasionally a less familiar sound - a high screaming whine, a deep bass poom!

All day, this has been going on.

I just went out to take out our recycling and I felt like I was under attack. I kept looking around to make sure something wasn't about to explode under my feet or inside my shirt.

There's something sort of desperate about this. I imagine it as an act of defiance, as if the locals were aiming their weaponry directly at their brethren across the border. They are striking a blow for freedom in their sad, desperate, fetid, noxious way. They are rebels, risking the detonation of their fingers and the immolation of their houses and yards for the sake of ... what? Independence? Freedom? Or maybe it's just that little boy instinct of loving to watch something blow up in the sky. They can, the Seattleites can't, and so they do. And do. And do, until their fingers are black and until their socks and their bedrooms stink of gunpowder.

Thoughts on Independence: Get in the Way



This morning, I heard John Lewis on the radio, talking about how important it was for the current generation to "get in the way." I loved the way he explained the point - that change is made by not standing still and accepting the status quo. Change is made when we get in the way - when we protest, when we sit down in protest, when we march, when we refuse to let things be the way they have always been. We need to be courageous enough to get in the way, the way our founders did.

I couldn't find a transcript of that particular interview, but I found this from a commencement speech a few years ago. Hope you find it as inspiring as I did. Happy Independence Day.

The world is waiting for you, for your leadership, for your vision to help build an all inclusive world community based on simple justice, an all encompassing community that values the dignity of every individual, what I like to call the Beloved Community.

Consider those two words, Beloved Community. Beloved, means not hateful, not violent, not uncaring, and not unkind. And Community means not separated, not polarized, not locked in struggle.

The most pressing challenge in our society today is defined by the methods we use to defend the dignity of all humankind. But too often, as a nation and as a people, we are focused on accumulating the trappings of a comfortable life--the big house, some new clothes, a shiny new car. But if you want a better, more just, more fair society, then you have to find a way to get in the way.

When I was growing up outside of Troy, Alabama and would visit the little town of Troy, visit Montgomery, visit Birmingham, visit Tuskegee, I saw those signs that said WHITE MEN, COLORED MEN, WHITE WOMEN, COLORED WOMEN, WHITE WAITING, COLORED WAITING. On a Saturday afternoon when we would go to downtown Troy to the theatre, all of us little black children had to go upstairs to the balcony. And all of the white children stayed downstairs on the first floor. I would come home and ask my mother, my father, my grandparents, my great grandparents, “Why segregation?!” Why racial discrimination?!” And they would say, “That’s the way it is. Don’t get in trouble. Don’t get in the way.”

But one day in 1955 at the age of fifteen, when I was in the 10th grade, I heard the words of Martin Luther King, Jr. on an old radio, Dr. King inspired me to get in the way, to get in trouble. I got in trouble. It was good trouble. It was necessary trouble to make our country a better place.

My young friends, whatever you care about, whether it’s getting to the truth about what has happened in our own country and around the world. Whether you’re concerned about global warming, or the injustice of poverty, you have to find your passion and make your contribution. You must be maladjusted to the problems and the conditions of today. You have to get off the sidelines and get in the way. Get in the stadium. Go where the action is. You just have to get in the way and make sure your voice is heard. You have an obligation, a mission, and a mandate from all of those men and women who sacrificed before you. Some of them gave a little blood. Others gave their very lives for our democracy.

So you must do your part. You have to find a way to get in the way.

Monday, June 25, 2007

The Retreat

So we had a strategic planning retreat on Sunday to plan for my nonprofit's next twelve months. Two interesting things happened. First, I proposed that we'd raise more money than we ever have in the past, and we'd do it by getting our (lethargic, complacent, skittish to get involved) board active - attending house parties, asking for money, recruiting their friends, etc. The interesting part of this is that no one argued, complained, protested, or even challenged the numbers. They all smiled and nodded and patted me on the back.

This, of course, fills me with dread. I hope they realize what they were agreeing to when they agreed to it. I guess I'll find out once I start making the follow-up phone calls.

The second thing that happened is that one of our staff asked to have her position converted to full-time. She currently works less than 30 hours a week. Her argument: I have too many responsibilities and I can't get everything done with my current hours, I've put in years of loyal service, my qualifications and skills are blah blah blah...

Oh, and when she goes full-time, she wants to take on new duties. She wants to work on fundraising (which is ... ahem ... my job.) She wants to do public speaking, which would be a disaster on ice.

The back story here is that this person has some mistaken ideas about her talents. For example, she thinks she would be a brilliant fundraiser. She actually wanted to be considered for the job for which I was hired. (Which creates a certain amount of resentment toward me.) She thinks outside the box, which is good, but not in a way that's practical or realistic or reasonable. She's often outside the box and out somewhere in the back corners of the warehouse.

Now, none of this is necessarily a bad thing. The real issue is that she's disorganized, does sloppy work, and can never get anything done on time. Never. Ne-ver. She's an artist by nature - and a good one - but she just works in a scattered, haphazard, right-brain way. Good if you're an artist - not so good if you're the heart of a small non-profit. And my simple feeling, which I told to my boss, is that if someone's failing as a part-time employee, you don't reward that by making them a full-time employee.

So we talked about this request with the board yesterday, and my boss was remarkably candid. Long story short: we love the employee, but she's not going to stay here. She's already looking for another job, and - brace yourself - she has requested a six-month leave of absence. She only wants the leave if she doesn't get the promotion. Why does she need the leave? To "get some projects done." I think she really wants the time off so she can polish her resume and get another job so she doesn't have to come back here.

So the following awkward resolution was reached: we would convert the position to full-time. My boss would inform the employee that she wouldn't have her job converted to full-time. Boss will furthermore tell the employee that he doesn't think she will be happy here, whatever hours she's working, and that it's probably time she look for another position where she'll feel more satisfied. Once she leaves - which she will do - we'll start looking for someone to work full-time in her position.

(Interestingly, my boss doesn't think that this will constitute "firing" the employee. I disagree, but whatever.)

So you can imagine that the conversation between boss and employee, when it happens, will probably be pretty awkward and uncomfortable. There may be anger, or resentment, or slammed doors, or curse words shouted across the office.

Why am I telling you all this? Because my boss took the day off today. Which means that our disgruntled employee and I are going to be the only ones in the office, all day. All the livelong damned day. And she will inevitably ask me the following question:

"So ... did you guys talk about my job yesterday?"

And I will either have to give some oblique hint about the discussion - which I don't want to do - or I will have to refuse to say anything at all. Which will make the whole day a series of awkward silences and guessing games as to what happened, during which I will undoubtedly - by a nod or a momentary facial expression or the tone of a response - indicate to the employee what decision was reached.

I'm not happy.

On the other hand, I'm sipping a caramel latte that's damn near perfect. So it's not all bad.

Sunday, June 24, 2007

The Things He Says

Eight! Nine! Fourteen! He is learning numbers, in his own peculiar way. He knows the numbers eight, nine, and fourteen, which he will shout out, countdown-style, at random moments throughout the day. "Eight! Nine! Fow-teen!"

Once, I was putting him to sleep and his eyes had closed tight. Suddenly, he lifted up his head and said softly, "eight, nine." Went right back to sleep after that. I'm guessing he was counting in his sleep.

"Over here! Right there!" These are his versions of "near" and "far." It's hilarious to hear, because he pronounces them with something like a New Yawk accent. "Over heah! Right dere!" I'll be playing with his Legos - by "playing," I mean that I'm putting his Legos together and he's directing me as to where each piece goes. "Right dere!" he shouts excitedly. Next piece? "Right dere," he smiles. "Right dere."

"Daddy, come!" He commands us to join him for very important missions. Like, say, climbing into his kid-sized tent. "Daddy, come!" Or reading stories with him. "Mommy, come!" Or just walking around the house at his whim. "Daddy? Mommy? Daddy? Mommy? Daddy? Mommy? Come! Daddy, mommy, come!"
He says this, too, in the funniest way - long on the vowel, and resonant. It sounds like he's summoning us, in the most anachronistic, 19th century way imaginable. We are his servants, and he our benevolent dictator.

He's tried this command with Chloe and is shocked that she can refuse him. "Chloe, come!" he demands of her, trying to entice her off the couch or coax her out of his tent. She has not once obeyed him. I tried to explain to him that obeying is not a cat's strong suit, but he doesn't quite get it yet.

Repeating everything. And I mean everything. I've said five-syllable words before and heard him try to repeat them. He repeats back the oddest phrases, and picks up on the strangest concepts. One morning, he brought all of his stuffed animals from the playroom into the living room and onto the couch. Mrs. B asked if he was bringing out his buddies, and he absorbed the word immediately. "More buddies," he'd say, carrying an armful of stuffed bears and cats.

Shortly thereafter, he got the idea to put all of his "buddies" back into the playroom. All the while, saying to himself, "put buddies away." An armload at the time, he hauled all of his "buddies" back into the playroom.


Another example - today I was playing the killer new album by Los Straitjackets, and he was rocking out to it - dancing, wiggling around, wild-eyed. So I asked him if he was rocking out, and he repeated, "rock out." Then he started wiggling around in front of our cat Chloe.

"Oliver, are you trying to get kitty to rock out?"

"Chloe. Rock out," he commanded in all seriousness, while still wiggling around. Chloe, alas, refused to rock out in any discernible way.

The Magic Word. We have tried to teach him that the magic word is "please." So when he's demanding something from one of us - say, if he asks me fifteen times to move across the couch - I'll ask him to use the magic word. "Move, pease," he says finally, and I scoot over on the couch to make room for him.

But the real magic word for him is another word. It's the one word that can coax him to getting his diaper changed, and the only word that can instantly bring a smile to his face, whatever the situation.

That word is "naked."

Our baby is a flasher. He loves running naked around the house (well, he's usually got on a diaper), shouting "naked! Naked!" And he loves it when other people get naked, too. When Mrs. B or I need to change our clothes, he asks with a glint in his eye, "naked?" When he sees one of us without clothes, he giggles with mad delight.

I don't know what this portends for his future, but it's fun for now. If he's seventeen years old and still loves to run around naked, giggling like a schoolgirl, it'll be a whole different story.

Saturday, June 16, 2007

Father's Day

He was making macaroni and cheese for his kids. He was the good dad, out to dazzle his children with his cooking prowess. He was going to introduce them to real mac-and-cheese, not that powdered boxed crapola. They liked that boxed crap, but he was going to teach them the difference. He knew what was best for them, after all. He was their father.

They hated it. They didn't like the crunchy noodles on top. They thought the bread crumbs on top made it look burnt. They wanted the orange stuff that came in the box, not this. This wasn't macaroni and cheese.

First he argued with them. Then, when their mother tried to explain that it was unfamiliar food, that they'd never seen bread crumbs on top of a dish before, he pouted. He got upset.

He stomped away from the dinner table. He shut himself in his bedroom, a petulant teenager, an overemotional dad in all the wrong ways. One of his children actually went up to apologize, attempting to coax him back to the dinner table.

This was the story I read in a national parents magazine. It's their current issue, on the newsstands just in time for Father's Day. It was part of their section for fathers. No, scratch that. This one-page anecdote was the entirety of their section for dads. That's it. One story about a dad who screwed up dinner. One more story about a dad who doesn't understand what his kids want, doesn't react well to his kids' natural reactions, and doesn't realize that his kids are watching everything he does for signs on how to act like a grown-up.

One more story about one more incompetent dad.

I don't understand how a magazine with a name like Parenting (parents are both mothers and fathers, right?) has only a single page dedicated to fathers. And I don't get how, month after month, the fathers who visit their pages are dunderheads. They make mistakes. They put diapers on wrong. They make atrocious choices about their children's clothes, their food, their safety. They are embarrassments to fatherhood.

I hate to brag, people. But let's get some things straight. I'm a father. I'm a damn good dad. I spent nearly a year at home with my son, changing his diapers, warming his bottles, holding him until my shoulders fell asleep during his naps. So I know a few things about being a father.


I've been his dad since the day he was born. Not a stand-in, not a weekend daddy, not an absentee, not a detached parental unit. I am his dad, and I take my work seriously.

Let me present my credentials:

I can always find his ticklish spots, and I know a few secret ones that his mother might not even know.

I can change his diaper with my eyes closed. Seriously.

I can feed him animal crackers, one by one, while driving down the highway. Without taking my eyes off the road.

If there are ten kids at the park running around, and my kid cries, I hear it. I know the frequency of his cries, the shape and size of the vowels, the pattern, the pitch. I will hear my son cry, because he is my son and I am his dad.

I know how my son talks, and I know the words and almost-words and semi-words that come out of his mouth. Sometimes I can interpret things he says that his mother can't.

I know what he eats and what he doesn't. I stopped getting him veggie burgers a long time ago, because as much as I thought they were a perfect food for him, he never liked them. So I stopped, because I realized I was wasting my time. A real dad knows when he's wasting his time on unimportant things. I feed him what he likes, and when I experiment with new foods on him, I always have a cheese stick or a bowl of peas as a backup.



I don't fear time alone with him. I took a job with a four-day work week so that I could spend an entire day with him. These days are the joys of my week.

I know what he likes to wear. I know which hand he uses to pick up a form. I know that he loves slapstick humor, and running squirrels, and music with a good solid beat. I know that he doesn't like to wear socks when he sleeps. I know how to make his cowlicks stay down.


If I close my eyes, right now, I can remember his sleeping face from the first few weeks of his life.

I know what meconium looks like. I know how to cut his fingernails. I know how to make him laugh. I know exactly where the mole is on his chest.

And I love this boy, this child, my son. I love the smell of his hair when it's been warmed by sunlight. I love the sound of his laughter. I love the way he scolds me when I'm doing something he doesn't like ("no, daddy!") I love watching his face while he sleeps. I love the way he wakes me up ( he says "daddy, come!" and grabs one of my fingers to pull me out of bed). I love every inch of his being.

I'm a good dad. I pay attention. I watch out for him. I keep him safe. I feed him, clothe him, change his diapers, read him stories, put him down for naps, kiss his boo-boos, wipe the snot and drool off his face, let him put half-eaten noodles in my mouth.

I've been his dad since he was born.

I'm not the only dad who gets it. There are millions of us. We are competent. We take pride in our skills (or skillz, as it were) in fathering. We are the new fathers, and there are a hell of a lot of us.

Watch for us on Father's Day. We're all around. We're in the parking lots, holding our kids' hands. We're in the parks, running around with our kids, chasing them as they laugh and scream. We're in the restaurants, offering our kid a bite of our breakfast. We're at home, making our own Father's Day breakfasts. We're good dads, and there's more and more of us all the time.

Sunday, June 10, 2007

Sunday Morning


Wedding Day
Originally uploaded by Sky Bluesky
It's Sunday morning, and I'm making blueberry pancakes for my wife and our son. And I'm thinking about my mother.

Longtime readers know about my mother. For the rest of you, my mother died when I was ten years old. Without saying too much, she was manic depressive and took her own life. (This is what I wrote about it a couple of years ago, if you want to know more.)

Mom was the kind of person who would make us blueberry pancakes in the morning, when she could. She had a disease. There was a lot of time when she couldn't - when she was in the hospital, or when we were in another house (away from the potential danger of our sick mother). Or just in bed, unable to get up.

But she made us pancakes, and she read us stories, and she tucked us into bed at night. When she could, she was the best mother she could be. And that's where I reconcile this. She did the best she could, but her disease made it hard for her to be there - and ultimately, to be anywhere at all. To be here.

I mourn the loss of that woman who raised me, and I mourn the void. I have lived for twenty-seven years without her. My mother never saw me graduate high school or college. I am thirty-eight years old. My mother married when she was 21, had three children by the time she was 25, and died before her thirty-fifth birthday.

She never met my wife. She never saw Oliver. But Oliver has seen her, and I tell him that she's his grandma Anne. He will never meet her in this world, but she is his grandmother, and there is some of her in him, and there's a lot of her in me.

Friday, June 08, 2007

The Accidental Tourist - Part Four


He had forgotten, after three months, the pure satisfaction of a hot shower. All those days of bathing in streams, on the beach, of not bathing at all, and even those occasional showers in the hatch (which was a pretty shitty rig, all things considered - too cramped and too dark to enjoy). He turned the water up as hot as he could stand it, and his skin tingled from the sensation. He immersed his face in the stream, let it run through his hair, down his back, over and over. It was very nearly bliss.

He was still trying to understand what had happened to him. He only barely remembered the beginning of this latest adventure. It was just another attempt at distraction, another joy ride with Jin and Hurley in the party mobile, the VW microbus they had found. Nothing special about that day, until ...

And that was where his memory cut off. He remembered nothing from the moment he stepped into the microbus until the moment he woke up on Main Street in Mayberry. With a new outfit on his back. And with money - several hundred dollars - in his pocket. And a new calfskin wallet, a Connecticut driver's license with his birth name, and a mysterious credit card he had never seen before. Hanso? Who or what was Hanso, and why were they financing this little trip?

Something fishy was going on. But he had had that sensation since he first landed on the island, so this just fit into the same realm of disbelief as everything else. He had been tortured for asthma inhalers, had been held captive in a bear cage, had been spied on in his most private moments, and now he was in an Andy Hardy movie. He rolled with it, the way he always did.

He snapped off the shower and just stood for a moment, steam billowing around him, and let the water run off his body. He was savoring the experience. God knew when he would catch another hot shower, so he wanted to remember what it felt like.

His instincts, which he had relaxed during the shower, kicked in as soon as the water shut off. His ears were wide open, listening for any stray noise, any unfamiliar sound. There was nothing. It was silent - almost too silent. He dried off, wrapped the oversize towel around his waist loosely, and started looking through the sink's drawer for a comb.

And then he heard it. A soft click at the door. Someone was breaking in.

He looked around the bathroom for a weapon. The only thing close was the hair dryer hanging by the mirror. He took it in his hand and looped the cord silently around his hand, then thought better of it and lay it on the floor.

The bathroom door was slightly ajar. He dropped to the ground silently, peered through the crack at the foot of the door and saw - high heels?

The door opened then, bumping him in the forehead.

"Hey!"

"Ohh God!" The door started to close, but he caught it with one hand and wrenched it open. He reached out and grabbed a stockinged ankle. The intruder fell to the floor.

He rose to his feet. It was a woman. And that was the understatement of the year.

"What the hell are you doing here?"

"Hmm, funny. That's what every single person in the whole town wants to know about you!"

"Oh, great. Another screwball. Let me guess - you're working for that skinny little freak, Kirk or Spock or whatever his name is."

The woman stood up modestly and brushed her dress off. "Kirk?" She looked offended. "No, I don't work for Kirk. Don't even tell anyone you thought that. I don't work for anybody."

"You don't."

"No. As a matter of fact, I'm one of the owners of the inn."

"Oh. So you forget to leave the mint on my pillow?"

"Um, no, that's not it," she said, fumbling. She tried to stuff the bug in her pocket, and remembered too late that her dress had no pockets. His hand whipped out and before she could move, he had the bug in his hand. He turned it over and over, and her expression grew more grave as the seconds passed.

"You were going to spy on me."

"It would appear that way, yes."

He put the bug down on the sink gently and stared it, a bitter expression on his face.

"What's going on here?" he said, so quietly that she almost couldn't hear him.

"I ... think a lot of people want to know that."

He turned to look at her, and his face was twisted in rage. He spoke slowly. "I don't know who you think you are. But I am not answering one goddamn question until you tell me why all you goddamn people are spying on me! What the hell are you trying to do to me?! First the island, and now this, and I'm just about bugshit out of my mind from this crap! What's going on?!" His final words were a roar.

"I don't ... what island?"

"Lady, don't lie to me," he growled.

"I'm not lying! What island? I don't know anything about an island."

"You don't."

"No," Lorelai insisted.

Sawyer was taken aback. "You don't?"

She shook her head.

After a long time, he relented. "Well, I'm just gonna have to take your word for that. So let's try something you do know. Tell me about this Kirk character."

"Kirk?"

"Yep. I want to know everything you know about him." Sawyer described the incident in the diner, the knife, the brochures.

"Well, that's completely bizarre and totally in character for him."

"What the hell you talking about? And I'm warning you, I'm not in the mood for cute answers tonight."

"Look yourself, bub, I'm not trying to be cute or coy or even especially clever. What do you want to know about him? I hardly know anything about him myself."

"Aw, come on. Nobody knows nothing about somebody who lives in their town."

"Seriously, I don't know anything about Kirk! Look, you want the truth, no one knows much about Kirk. He's got unbelievable amounts of money, no one knows why. He's always working, and he has, like, fifteen different jobs that he does one day a month. He's like his own front operation, except instead of a fake store and fifteen guys in green visors in the back, he's just one guy who works ninety hours a week.

"But is he hiding money for the mob or is his mother some kind of Howard Hughes type with millions of dollars stuffed in her mattress? Nobody knows. No one knows anything! And what's with the jobs? He's the mailman. He installs cable. He delivers pizza, he runs the theatre, he sells jewelry. He takes polls for the town! He's Taylor's right-hand man, although God alone knows what qualifications he has."

Sawyer mused, "maybe he has some black-and-whites of Taylor in flagrante."

"I'm saying, maybe he's got little manila envelopes on all of us. No one knows why he does what he does around here. He's like ... that little kid in the Twilight Zone episode that everyone was scared of, and he secretly runs the town. Little Ronnie Howard."

"It wasn't Ron Howard played that kid."

She glared at him. "Look, buddy. Don't screw with me on television shows. My knowledge is legendary at bar trivia nights all around southwest Connecticut. "

"It was Billy Mumy."

She stopped and stared at him, jaw agape. "You're kidding."

"Will Robinson hisself."

She blinked. "All right, the world just shifted on its axis, but I'm just going to ignore that. Where were we?"

"Your buddy Kirk."

"Yeah. My close personal friend Kirk. Oh, and another thing!" She was shouting now. "He's always got some mysterious project going on that no one knew about before, like he's some kind of closet mad scientist. Some hidden talent. Some weird knack for technology that just shows up, out of nowhere."

"What do you mean?"

"I mean ... once he showed up selling soap that was made out of hay. All kinds of stuff - lotions, shampoos, all this stuff with some active ingredient he synthesized out of hay. He made it all himself in the basement of his" - she used air quotes " - 'mother's' house."

"And ... another time, he just showed up and installed a traffic light in the middle of town. Taylor said it was his idea, but I really thought it was Kirk. Still do. Once, he installed a security system in my house. I didn't know he was even there until I set the stupid thing off!"

Oh, and once..." she shook her fist menacingly. "Once... once, he showed up here. Pretended he was on staff. Sat in on the staff meetings. I turn around, he's working the front desk, and no one said boo!"

"That doesn't sound very high-tech, darlin'."

"No, but that's the other thing he does. It's like mass hypnosis, mass hysteria, mass something. Everyone just goes along with whatever he's doing, like he's been doing it the whole time. What's Kirk's game? Hell, I wish I knew. He's a mystery wrapped in an enigma wrapped in a $10 haircut."

Sawyer took all of this in, and he felt less sure of himself than before.

"Okay, so why are you here, then?"

"Our town selectman disappeared. He's ... nobody likes him very much, but he's kinda like the pothole at the end of Main Street. It's a nuisance, but everyone would miss it if it went away. And this morning, our pothole went away, and you showed up, and long story short - okay, not such a long story - anyway, people think that you had something to do with Taylor disappearing."

"They do."

"Well, sure. I mean, this is a small town, not much happens here. Something big just happened, and another something just happened, and it's only natural to think the two somethings are related. Ergo ... something ... propter hoc, or whatever that Latin phrase is."

"Well, yeah, that makes sense. Not the Latin, but the rest of it." He rubbed a hand through his moist hair. "What did you say your name was again?"

"Lorelai. Lorelai Gilmore."

"Ah," he nodded. "Should have known."

"Why?"

"Because your name is all I've heard since I showed up here."

Lorelai, startled, asked, "where have you - who's been - what are you talking about?"

"At the diner. Your boyfriend with the ball cap, when he called you." He made his voice gruff, blunter. "'Lorelai, I'm telling youse, don't touch this guy. He's bad news, toots.'"

She grimaced a little, and said, "he's not my boyfriend."

"Uh huh." He went on. "Someone else said it in the diner. That loud blond chick, Nanette or Ronette or somethin'. And Mrs. Kim, after I left. The door opened and I heard her saying something about you. Some guy was on his cell phone in the town square, and I heard him say he wanted to talk to Lorelai Gilmore, stat. So hell, I figured you were a doctor."

There were more, and he shared the rest with Lorelai as she turned various shades of red.

"I don't know what you really do here besides just run your inn, but from the looks of it, everyone here thinks you're the town selectman. And the police. And the savior come back to free us all. Hope I'm not telling you something you didn't already know."

"Oh, no. No. I guess... Yes, I didn't know all that."

"So really, I'm not the mystery around here. You are. You show up in my room, ready to spy on me. You're talking about this guy Kirk and the hold he has on this town, but way I see it, you're the one that really pulls the strings.

"No, I ..."

"Now listen to me, Ms. Lorelai Gilmore. I ain't got a gun - only weapon I have is what God gave me - but imagine I'm holding a gun to your head. If you had to answer the question - " His voice slowed, almost to a purr.

"If you had to say the real reason you were standing here, what is it? Why are you standing here in my room?"

She looked toward the mirror, toward the floor. And then looked at him bashfully. "I wanted to be the hero."

"There you go."

"I liked ... that people were depending on me. I don't know why they have faith in me like this, but they do, and I was going to prove to them that I was worthy of it."

Sawyer nodded gently.

"And?"

"And ..." She twitched her nose and said, "I wanted to see you."

"Uh huh."

"You know, I wanted to ... see how bad this Sawyer person could be. Did he look violent, did he carry a machine gun, did he have tattoos up and down your arms? How bad is this guy?"

"And how bad do I look?"

"There's a lot of ways to answer that question," Lorelai responded.

"Do I really look like a bad guy?" he asked softly.

"Well, no."

"Okay. Now we got that settled. Sounds like we've both got some mysteries to solve, maybe we can help each other out."

"Maybe so."

"And maybe," he purred, "there's more than a few questions that are worth asking."

"Maybe there are," she responded, her heart pounding in her throat.

"So let's hear it, Lorelai. You got any questions you want to ask me? " He took a step toward her, eyes lowered a notch, a little smirk beginning to show.

"What's your real name?" she whispered.

He lifted his hand, reached across to caress her hip. "You can call me James if you wanna call me something."

Lorelai stopped just then. He was a con man. Maybe he was setting her up right now. She didn't know. She didn't trust him. Didn't not trust him, either. But she needed to stop him from running the show. She was getting pulled in.

"There's a nice comfy bed out there, maybe we could ... sit down and interrogate each other..."

"You know what? " She pulled back fiercely. "Shut up. I'll decide what I'm going to call you. And it might be Sawyer, and it might be James, and I might not call you anything at all. You're not the one in control here."

"Okay."

Without meaning to, she added, "say it."

He paused for a very long time and then finally said, "I'm not in control here."

"I own this place," she said quietly.

"Yes, ma'am."

"You're on my turf, 'James.' My property." She reached out unexpectedly, ripped the towel off him, and held it in her hand.

"I make the rules here." She moved toward him then, tossing the towel aside, and Sawyer felt a rush of emotions, fear not the least among them.

"Yes, ma'am," he said again, and then her mouth was on his.

It was quite some time before they made it to the bed.

Thursday, June 07, 2007

The Accidental Tourist - Part Three


"Hey, mom." Rory juggled her cell phone as she dug in her pockets for cash.

"Hey. What's shaking, kid?"

"Um, well, nothing, thank goodness. No major fault lines run through New Haven, happily."

"Well, you learn something new about seismology every day."

"That was my motto for a month in 8th grade."

"Yeah?"

"Yeah, but then I moved on to volcanos." She paid for her latte and darted toward her classroom.

"Ah, yes, I remember that. It was your natural disaster phase."

"Yep. What was I after that?"

"Um ... Emily Dickinson."

"Right. Logical."

"Hope is an earthquake with feathers."

"I'm not sure that's accurate, but points for trying. Hey, listen. Where do I get a tiny listening device."

Silence.

"Hello?"

"Still here. I think you have me confused with your other daughter, Veronica Mars."

"Come again?"

"Mom, why would I know anything about bugs?"

"See, you know the right terms for them! Bugs! See, where would I know things like that?"

"Every detective show from the last thirty years?"

"Seriously, you don't know some place I can get a ... whaddaya call it ... a bug in the next two hours?"

A heavy sigh. She was late for class now, and her mother had turned into Inspector Gadget.

"Okay. Lane picked up one this one time to spy on her mom."

"You're kidding!"

"No," Rory continued. "It was just one time. She was convinced it was a defensive move - she thought her mother was secretly eavesdropping on her, and wanted to bug her mother so she could prove it. Still not sure what she would have done with the evidence, it's not like you can bust someone for spying if you're spying on them to find out."

"I think they covered that in the Patriot Act."

"Whatever. Anyway, Lane used it once, heard way too much of her mother singing 'Blessed Assurance" and hid it away. But you know Lane - she never throws anything away if it could be useful somewhere down the line."

"Will she let me borrow it?"

"I'll give her a call," Rory offered.

Lorelai teased,"on your two-way wrist radio!"

"Actually, I'll probably just use the old standby cell phone."

"Aw."

"But I'll tell you it's on my utility belt, if it'll make you feel better."

"Much."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Lorelai was thinking to herself...

This was so stupid. This was the world-beater of stupid ideas. Lorelai Gilmore, queen of the stupid ideas. Yet here I am, with a bug the size of a bobby pin, preparing to break in on one of her clients so I can plant the stupid thing under his bed.

A client! This was one of her clients. A paying customer that she would be spying on.

No, stop. He wasn't a customer. He was a bad guy. Evil. Eee-ville.

Hey, wait a second.

Cruella DeVille? De-Ville. It's a play on evil! All this time, I thought she was named after a Cadillac.

Okay. Focus. Evil. Bad guy.

Stud bad guy, though.

Who likes to wear his shirts unbuttoned, even in winter. A little eccentric, but with pecs like that, why not show off a little?

So yes, stud bad guy. But still bad. In some vague, undefinable way, he was bad. Like one of those James Bond villains.

What was the name of that one guy? Top Hat. Top Chef? No, that was a cooking show. No, wait, that wasn't a show. That's Iron Chef. But wait, Top Chef is something. What the hell is that? Is that some kind of Hamburger Helper thing?

Let's think. Top Chef.

Top Chef.

Top Cat.

Top Chef.

Odd Job! That was his name!

Top Chef, though. Top Chef. Top Chef.

Top Ramen.

Mmmmm. Love me some Top Ramen.

Do I have any ramen?

I have spaghetti.

Maybe I could take all the spices and sprinkle a little of everything, all together, and it'll be kinda like one of those spice packets. I mean, who the hell knows what goes in those things, it's just all spices, right? If I just throw them all together, that oughta work.

Stop! Focus! Focus, focus, focus.

And ... now I'm thinking about his bed. And I'm thinking about him laying naked on his bed.

What am I, thirteen?!

Come on, Lor, snap out of it. He's just your average bad guy, an evil man who can't keep his shirt buttoned and who growls alluringly, and you're just going to sneak into his bedroom because you're curious about what he's doing here. You're just curious, that's all. Nothing illegal about being curious. Otherwise that stupid monkey would be in jail, not running around with that idiot in the yellow hat.

No! Focus. Focus, focus, focus...

Monkey. Monkey, monkey, monkey. Focus.

Monkey. Monkey pants. Underpants. Monkey.

Underpants.

I bet he wears briefs.

Mmm...

Dammit! Focus!
She swallowed hard and then put her ear to the door. Silence.

"Okay," she thought to herself. "Here goes nothing." She slipped her master key into the lock.